Bradley Daley

Background: Studied at the Queensland Conservatorium Griffith University before going on to study in the UK.

For Opera Queensland: Nick in The Girl of the Golden West, Messenger in Aida, Camille de Rosillon in The Merry Widow, Remendado in Carmen, Florestan in Fidelio. Understudying Cavaradossi in Tosca.

Other engagements/Australia: Curley in Of Mice and Men, Rodolfo in La bohème (Opera Australia), Dick Johnson in La fanciulla del West (State Opera of South Australia).

International: Rodolfo in La bohème, Staff Officer in The Silver Tassie (English National Opera), Caius in Falstaff (Stanley Hall Opera), Alfred in Die Fledermaus (Opera Holland Park), Duke of Mantua in Rigoletto (Mid Wales Opera), Samson in Samson et Dalila (Brangwyn Hall in Wales),
Manrico in Il trovatore (Grosses Festspielhaus in Salzburg), Canio in Pagliacci (Hanoi Opera House), Don José in Carmen (London City Opera’s tour of the USA), Edgardo in Lucia di Lammermoor (Opéra Nomade in France), Riccardo in Un ballo in maschera (Compagnia d’Opera Italiana di Milano), Pinkerton in Madama Butterfly (Co-Opera Ireland), Bill in Happy End (Muziektheater Transparant in Belgium).

Concert repertoire: Dvoƙák’s Stabat Mater, Verdi’s Requiem, Puccini’s Messa di Gloria, Mendelssohn’s Die erste Walpurgisnacht, Elijah and Hymn of Praise, Handel’s Messiah, Williamson’s The Glitter Gang, Elgar’s The Kingdom, Beethoven’s Ninth Symphony. Engagements include Sunset Opera, Opera in the Vineyard. Appearing with the Britten Sinfonia and Melbourne Symphony Orchestra. Appeared at the Prague Music Festival, St John’s Smith Square, the Barbican and at the Worcester and Canterbury Cathedrals).